-An appealing and interesting note in this chapter is the clean and sterile environment in which Murakami's art is made. The lab-like appearance and restricted process of each piece is atypical to the infamous paint-spattered jeans and commonly worn flannel shirt in most studios.
-On old school versus new school,Murakami may know relatively little on modern computer art programs, however, his know how and insight still give him the upper hand in criticizing and overseeing changes in the work of his employees.
-Murakumi has a sophisticated, talented, and well run-system of workers under him that rival the efficiency of Renaissance workshops in days of old.
-The comparison between Murakami's work with Louis Vuitton main steam design or paintings for the high fashion line reminds me of the relationship between Salvador Dali's perfume bottle design and his independent high end art that lies apart yet in league from the commercial art.
-I liked this thought: "Murakami had taken over the Biennale, almost like a virus. He couldn't have planned it, but you see his work flowing through the global art and fashion marketplacee. It was as if he'd injected dye into the system."
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